O'Neill's comedy is notoriously hard to pin down, harder still to categorise - a unique and uncompromising voice that is thoroughly entertaining, but also thought-provoking and mind-expanding in a way that is ultimately far more nourishing than a straightforward chuckle.
Read full Article >Get an insight to the Spitting Image co-creator Roger Law
Read full ArticleA night of beer, sweat and madness
4/10
8/10
An amazing night of music
8/10
9/10
Polished and professional, but ten years behind the curve.
A truly special evening.
9/10
Indiscernible pop nonsense
7/10
The Joy Formidable are back, and they’re here to stay
I left wishing it could go on longer.
A fantastic night by all accounts
Don’t expect the hype to die down any time soon
Experienced and slick performers
The beginning of a bright future
One long rock-out session
7/10
Perhaps the non-stop touring has taken its toll.
A night of bewitching musical storytelling
A delicious 45 minutes of semi-organised chaos
Powerful electro-punk bangers
7/10
Tigercub have the skills.
6/10
Tonight demonstrates that Eagulls definitely aren’t for everyone
It’s the committed cast who really sell this show.
A young talent with a bright future ahead of him
An authentically fun live show
It’s all a little dull.
Mediterranean megastars in the making
6/10
Educational, informative and indisputably entertaining
Clearly has a stellar future ahead of her
Don’t bother
Infectiously funny and impressively smooth
7/10
7/10
9/10
One of the most enjoyable shows I’ve ever been to
9/10
Something’s up in Camp Fratelli
Dinosaur Pile Up ripped apart Norwich’s Waterfront Studio
They sure know how to put on a show.
This energetic five piece are well on the way to global stardom
"The new songs feel like both the best and most challenging songs to play."
"Fugazi forever though, right?"
7/10
8/10
Memorable and fun, for new fans and for old.
Absolutely one to be keeping a close eye on over the coming months
An occasional drunk arm wave was the closest attempt at a mosh pit.
A quirky Sunderland based five-piece
Zingy rock and roll glamour
Would not recommend.
An apocalyptic school night in September.
7/10
9/10
4/10
3/10
9/10
8/10
7/10
8/10
A bloody good show
It’s the quieter, more intimate spots that stick in the mind.
Alex! What should we catch at the Big Weekend?
I normally have to say that if I told them the name of my band, they probably wouldn’t employ me!
My, oh my, do they deliver that by the bucket-load. Of sweat, that is.
The crowd’s ensemble chant of “I heard it in a TV programme” on ‘Run, Run, Run’ was unexpected, but raw,
I thought ‘you can't be playing to the people who make the most noise all the time’, you know.
What to say of the gig? Well, first of all, it was loud, very, very, loud.
Efforts to spice things up with the addition of Flux Pavilion works especially well on the swashbuckling ménage a trois of Gold Teeth
Innocents is an incredibly accessible album, most likely because of the subtle but frequent comments on the nature of being human.
Hindsight is a wonderful thing, as are rose tinted glasses, and the combination of the two amounts to the common perception that the sixties was a halcyon age for the whole cultural gamut.
"Sonically, Fuck Buttons are an absolute tour de force..." - Alex reviews Fuck Buttons at The Waterfront
Perhaps mental illness had taken its toll on Hjaltalin more than I thought, as it was a schizophrenic start, and it didn’t promise to get any more cogent.
Enough hidden charm to warrant the multiple listens it might need.
With a name like Tropical Popsicle, I really wanted to like this band.
It's always difficult for a band to live up to the word revolutionary.
Coates’ recital seemed a great reflection on the local art scene; upholding traditional values, but simultaneously forging something new.
"There’s never a soft show, every single performance is so emotional for us, because we give everything." - Outline interview Savages ahead of their NAC date.
Foals are polished, sharp, and dangerous; fast becoming one of the UK’s finest exponents.
"'Youth' brings an inevitable sing-along, most recent release 'Smother' smoulders, and the shoe-gazey direction on some newer songs is especially inspired"
"Alice led the masses, swaying, raving, sweating, while Ethan flooded the room with searing beats and the lightshow left strobes burned into my eyes."
They say variety is the spice of life; I’d have to say Benjamin Francis Leftwich was more like cumin than saffron.
"Eventually to be consigned to a wooden chest labelled ‘Derivatives’, they share their fleeting success with plenty of other bands..."
"Our album is nominated for the Mercury, but almost every daily newspaper has declined to even review it. Not that I'm bitter [laughs]" - Gus from Alt-J talks to Outline's Alex...
"It’s mainstream Ameriana at its best; the type of record that gets stuck in your head without you even realising it."
Greco-Roman’s mantra, “We make colourful music because we dance in the dark”, remains incredibly apt.
Over their three studio releases Yeasayer have definitely travelled on an exponentially poppier path, with ‘Fragrant World’ not only being their most recent, but also their most accessible work.
On first listen the totally bat shit sonics on the record provide a pleasant regression to the simple world of underage drinking and poppers.
"What sounds like The Jesus And The Mary Chain playing out of the right-hand speaker and Kraftwerk out of the left just becomes too much..."
"The whole feeling of playing in front of people is amazing, but I get a bit scared, I don’t even know if that answered your question, I’m just blabbering, sorry." - Elena Tonra's charmingly self-deprecating attitude towards performing...
“The perception is, and I think it’s correct to a point, that the scene in Norwich is good. I’ve bumped into bands on tour who are eager to come here as it’s ‘one of the places to play.’” - Craig Hill on the local music scene...
"We’ve kind of witnessed the birth of this really ugly underbelly in America" - Chris talks about the influence of capitalist politics on Yeasayer's new album Fragrant World...
Outline went galavanting into the Suffolk countryside for the Latitude press day, and Alex gives us the latest news from the camp...
"By being recorded in a studio somewhere the nuanced vocals and the gutsy feeling of the whole thing is compromised."
"The combination of the hazy instrumentation over the poppy rhythms is great, and with Katherine Whitaker’s intriguing vocals topping it off they’ve certainly found their place..."
"I think I can be quite bossy in the right places, but then I’m also open to everyone… I mean, there’s eight of us so you have to be bossy on some level otherwise you don’t get anywhere!" - Liz Hunt on the band's work dynamic...
"Yeah, they were going crazy! It was brilliant in there. I can remember how we set it up in there and everything. Looking back you think, ‘bloody hell!’" - Dillinja talking about his Fabric set back in 2001...