They came, they saw, and they conquered. And the Waterfront Studio audience drift away into the November night, inspired, uplifted, and energised.
Read full Article >Nutcracker in Havana is an absolute Christmas Cracker of a show
Read full ArticleAn epic project to travel the world, collecting and creating an archive of eclectic and diverse musical performance
Read full ArticleThe authenticity with which Rodreguez King-Dorset portrayed the three characters involved was so precise that I had to keep reminding myself they were being played by the same man - the only man on stage.
Read full ArticleAnother night to remember for Norwich fans of John Grant
The hits come thick and fast.
This was one of the most enjoyable nights of comedy I've experienced in a long time. Byrne's warmth and empathy was reciprocated by a crowd eager to have a good time. My only misgiving was how far the night strayed from its advertised ambition.
An ostensibly amusing, but also incredibly thought-provoking, production.
'Easy As Pie', and a deliciously fun night out.
An all-dancing highland rave in downtown Diss.
The feel-good musical that you will want to see over and over and again
Now, that's what I call a jukebox musical.
An inspired and crowd-thrilling set.
This was certainly one of the finest folk performances I have been to in 2024
A celebration of teenage hopes and dreams
You will believe a car can fly.
The gospel according to Welly is witty and fun
Given that the stage version of Murder on the Orient Express is an entirely new play, one might have expected great liberties to be taken but the reverse was the case - there was an evident reverence for the source text apparent throughout Ludwig's adaptation that tiptoed lightly over the darker themes of Christie's novel, preferring instead to focus on flashes of humour and the cosy familiarity of a tale retold.
Given the acrimony of Brexit, covid vaccination and even the recent Lucy Letby controversy, far from feeling dated, the play feels surprisingly relevant – an exemplar of what happens when we lose the ability to disagree civilly, instead content to take lumps out of family and friends with little regard for the consequential fallout.
An eccentric evening which broke down the boundaries of what we think of as entertainment in way that was challenging, provocative and yet curiously unpretentious and all embracing.
O'Neill's comedy is notoriously hard to pin down, harder still to categorise - a unique and uncompromising voice that is thoroughly entertaining, but also thought-provoking and mind-expanding in a way that is ultimately far more nourishing than a straightforward chuckle.
Heartfelt songs about ambitions and dreams, friendship and experience, but mostly about life itself.
Cheish Merryweather was keen to emphasise the value of critical thinking, investing her audience with a dignified, sober reflection on the machinery of justice, but she was canny enough to indulge a more scurrilous fascination with the macabre. It left me feeling a little uneasy that horrifying photography and unnerving reconstructions were being presented for our entertainment, not least as I found myself being entertained.
Lime Cordiale certainly made a real splash on their first visit to The Adrian Flux Waterfront.
This remains one singular sensation. Go see.
A high velocity performance tonight from Le Vent du Nord, and one that whipped up a storm in the South Norfolk market town of Diss
See this wonderful new musical now, if you can.
A fabulously pop-tastic party, featuring a canon of top tunes from start to finish.
Another fantastic collaboration between Norwich Theatre and Buxton International Theatre. Thank you to Stephen Crocker, and everyone at Norwich Theatre for managing to pull this one off.
A gloriously dark, and very funny, musical stage parody.
A phenomenal show from one of the country's finest folk-punk singer-songwriters
An hilarious homage to Channel 4's much-loved television show
Love this show. Catch it if you can before it hits Edinburgh
Kitty Perrin's unique blend of dreamy indie-pop will have gained even more fans following this Pony-Up show
A delight for children and parents of all ages.
Life-affirming, inclusive and diverse, and celebrating every type of friendship.
A cracker of a 'Summer Night', in the beautiful heart of Thetford Forest. .
An hilarious comedy, made to look so easy. Pleasure and laughter all of the way.
An evening that started with foolishness but ended in a Damascene moment of self-awareness
In the words of the famous Norwichonian Delia Smith “Let’s be having you come to see my show!" on the 16th June
Séance, in common with all their productions, took place in complete darkness. The audience wear headphones and so experience the narrative almost entirely through sound. If that sounds too close to an audio book, then allow me to disabuse you of that notion.
'Grease' is still very much 'the word'.
Esfahani was our notional headliner, but one that seemed at his most content when playing with like-minded musicians, all of whom were playing at the top of their game.
Baque Luar is all about the beat, and that is what their first visit to Norwich will be remembered for, long after this year's Norfolk & Norwich Festival has ended.
Viewed as pure spectacle, this was the kind of grandstanding show not seen at the festival for years, thankfully forestalling what had been a shrinking theatrical component. The bigger question, however, is whether that spectacle served the show's strong autobiographical content.
Another wonderfully atmospheric music evening within the Adnams Spiegeltent.
Given some of the impossible choices thrown up by the festival this year, it would be easy to miss out on the events centred around The National Centre for Writing at Dragon's Hall, and in previous years that's exactly what I have done - miss out. Determined not to make the same mistake this year, I dipped my toe into the series of conversations between authors taking place.
My favourite late night gig of the Festival so far.
A valuable addition to the Festival program, it is to be hoped the Speakeasy tent becomes a regular feature. On the evidence so far presented, it certainly deserves it.
An innovative and illuminating evening of choral music from this world-class Irish ensemble.
What I witnessed was far and away the best thing I've seen (so far) at the festival - and I've seen a lot - utterly demolishing my previous idea of what is meant by circus, and what I thought could be achieved with the skills involved
A rare, and very special, visit to Norwich from one of Scotland's greatest contemporary folk singers.
There was so much to admire in this bold production and one, let’s not forget, which filled the Arts Centre to capacity in the middle of the Norfolk and Norwich festival. I find it hard to believe that such an assured production is their first, and while 'Salt' is already a worthwhile contribution to the region's theatre, I’m convinced we can look forward to even greater things to come.
A wonderful full-orchestra evening
No one seemed more surprised than Kenny Anderson that he was performing in a building he had previously visited for spiritual comfort, and with the recently restored organ serving as an illuminated backdrop, there's no denying the dramatic impact of gigging in such a glorious setting
The audience for this intimate concert simply wouldn’t let her go, compelling her to take a bow three times with their emphatic applause.
Pongo came, Pongo sang, Pongo danced, and Pongo conquered.
An inspired booking by the Festival, and always a pleasure to listen to any kind of live music within the Church of St Peter Mancroft
Lucy McCormick is a brilliant clown, capable of putting herself through endless humiliating scenarios in service to her art, only to then deconstruct the presumption it is art, and then take to task anyone foolish enough to do what I am doing now - trying to make sense of it all.
A fascinating insight into strange goings-on that left an abiding impression of unease at what human beings are capable of doing to each other,
Tackling exciting lesser-known pieces with confidence and daring.
For a Romeo & Juliet with that extra rollercoaster ride of emotion and spectacle, look no further.
Music which harmoniously harnesses the sounds of nature
Oliver Messiaen's compositions are challenging. Certainly, they are distinctive and innovative, but can none the less be hard to immediately grapple with, the intensity of their profound religiosity a shock to the system. But what, after all, is a festival for, if not to test your boundaries?
A unique, and wholly immersive, audience experience
I dare say that my memory of the TV show itself is rose tinted, but if wallowing in nostalgia is an inexcusable crime then I plead guilty, as critical facilities crumbled in the face of a production that was simply, and unapologetically, silly good fun.
Despite its sensational title, Killer Cults was a relatively sober examination of what makes a cult leader, and how a literally fatal combination of narcissism and psychopathy can lead to disaster.
I find myself holding back the tears – that is how powerful the finale of this show is.
A show packed with moving words and memories about the city we love.
There's no denying this was a musical and visual spectacular to satisfy the most jaded of palates. In writing this, I've had to wrestle with the jumble of songs now roaming my brain as conflicting ear worms do battle.
The tears and the laughter are still there, collectively delivered with true Yorkshire grit, and stoic Northern wit.
A memorable evening on so many counts.
The quality of the sound at the Art's Centre is always good, but it takes accomplished musicians to make it great. A tad more rockier and jazzier than on previous outings, his faultless ensemble complemented Sam Lee's distinct vocals superbly.
A true gem of a show, faithful to the film’s roots, and yet still honouring its core message that it is OK to be different.
A dazzling display of elegance, strength and stamina
For all his ribald profanity, Gamble is an unusually old fashioned comic, building up mental pictures in the mind of an audience from a grain of truth, who then laugh loudest at situations that, but for the grace of God, go I.
A musical love story, doomed from the start, but with enough heart to steal you away until the final curtain.
Dispensing with the notion of a support act, we collectively jumped into the deep end, as he homed in on the brave souls on the front row. It's not unusual for a comic to break the ice with a bit of a chat with the audience before launching into the act, but it quickly became apparent this was the act. At times, he seemed less like a slick comic, and more like the funniest mate down the pub.
A masterful and moving performance of Bill Vine's latest composition
Brave and challenging, English Touring Opera really do deliver 'Opera That Moves'.
In this fresh English Touring Opera production, the morality of the tale shines through with a new-found relevance. Bravo ETO.
A scintillating and crowd-pleasing set from folk legends Spiers & Boden, and wonderful to see the Maddermarket Theatre filled to the rafters
The seventh stop on Big Country's celebratory 'Return to Steeltown' tour.
Come on Norwich, let’s be ‘aving you, and let’s be off to see the wizard, too.
There may be bigger, seated, venues on this string of UK dates, but for the intimate, close-up feel of Joanne Shaw Taylor's brand of the blues, Norwich's Waterfront is going to take some beating.
Support local talent. Buy this album. And watch Kitewing soar.
Often, theatre is a device for escaping our troubles, and I suppose there's nothing wrong with that, but for those of us that yearn for more nourishing fare, it's good to know something reliably substantial is still being served up on a China Plate.
Completing their triage of Tchaikovsky's most loved ballets.
Swan Lake is a mouth-watering spectacle. This production becomes the complete dance experience.
Tom Allen is the master of the pointed question, the cheeky put-down and the witty response
'Toast' had moved to Norwich Theatre Playhouse this month, and even in this much larger venue, nearly all the seats were taken
A superb one-man show from the accordion-wielding member of the magnificent Young'uns
For sheer guts and dedication you had to admire this performance from The Clause
An absolute delight from start to finish - a heart-warming blinder of a show.
Such was the atmosphere generated, it was easy to imagine, out the corner of your eye, that you caught a glimpse of the eponymous Woman, such was the descriptive power of the text. Who would have thought that possible with only two actors on a bare stage?
A Baroque blinder of a night
A magnificent seasonal pantomime of which Norfolk should be really proud.
The appeal of John Otway remains largely inexplicable. He performs the same songs, interspersed with the same patter, and does so with a self-deprecating acknowledgement epitomised by one of the last songs of the night - I Don't Know What I'm Doing, but I Shouldn't Be Doing This. Yet there's something so unremittingly joyous in the chaos and cacophony of an Otway gig, that once you join the cult, it's nigh on impossible to let go. He may not be the Messiah, but he is a very silly boy.
A unique talent, and one worth making the effort to discover.
Despite ambitions to be the enfant terrible of British art when he won the Turner Prize in 2003, Grayson Perry is officially a National Treasure. His recent reinvention as an investigative explorer of countercultures and communities, albeit in his civvies, offered a clue as what to expect from his live show. What I didn't expect was for him to break into full throated song.
The Mary Wallopers have it all. You simply could not ask for better craic on a Sunday night in Norwich.
In these days of real horror and turmoil around the world, perhaps an occasional dose of Rodgers and Hammerstein's theatrical escapism is no bad thing.
The levels of energy and enthusiasm (both on and off stage) prove that The Pigeon Detectives are still up for a grand night out. Whatever night it is.
The theatrical experience is witty and well-paced, with a tone that lies somewhere between 'Six' and 'Fascinating Aida'.
First staged forty years ago, Michael Frayn's Noises Off continues to be performed all over the world, and continues to have audiences howling with laughter. With Norwich only its third outing, I got the sense the cast had not yet entirely settled into their roles, but for most part this was a thoroughly entertaining, and mercilessly funny, night at the theatre.
The enormity and significance of this concert suddenly sank home, and I felt guilty for simply being free to come along and listen to this great classical music.
Anyone under the age of thirty must find it bewildering that such a prosaic misdemeanour is even remembered, let along dramatized for the stage. And yet its grip obstinately refuses to let go. It’s a testament to the quality of Graham's writing that the show was not only entertaining, but gripping, with an ability to surprise in spite of its well-trodden path.
There is so much more to this stage version of The Full Monty than a titillating knock-off Chippendales show
Two very different pieces, but one absolutely fabulous evening
Kezia Gill's first journey back to Norwich since supporting The Shires at Epic Studios two years ago
Elements of this fact-based narrative still hold frighteningly true today
The experience is a delight from start to finish
Or, 'Why democracy is overrated and I don't miss it at all'
I don't think I can recently recall seeing a play that so exactly matched my expectations, which was for a jolly night out watching hokey nonsense delivered with style and brio.
This was an evening to let the music do the talking
A magnificent tribute to one of England's finest modern contemporary rock composers.
James Rowland's latest show examines friendship, home, love, and loss
Thank you Deepdale – you did it again. This is still my favourite festival of the year, and judging by the number of returning acts and audience members, everybody else's, too.
The promise of a five-star hit at Edinburgh is no guarantee of a good night out - the unique bubble of the Fringe can distort and filter perception - but this was one of most extraordinary, and genuinely unique, stand up shows I can recall seeing.
'Jerry Springer : The Opera' still has the power to both shock and make you laugh out loud, and, more importantly, to make you think about the role of the media and of organised religion.
'The Bodyguard' is one of the most joyous musical experiences to have visited Norwich Theatre Royal in many a year. 100% recommended.
The Let's Rock festival is unashamedly a retro festival - often a curate's egg of one hit wonders, war horses and hardy-perennials, but the roll call for Norwich was unusually eclectic. Whether that was by design, or just who they could get, is hard to say, but the inclusion of bands like The Farm and Happy Mondays suggest the festival is starting to take itself more seriously – becoming more about music and less about mullet wigs – which has to be a good thing.
This is definite must-see show. Hats off to Stephen Crocker, and the whole of the Norwich Theatre team, for the courage and conviction to co-produce this wonderful show together with the Buxton International Festival.
John Osbourne's uncanny ability to draw on universal truths by discussing the particular is the key to all his work, and has never been better than in this outing. What might seem like a wistful nostalgia for times past is underscored by a commentary on the changes that happen in all our lives, as the person we once were becomes as strange to us as the people we once knew
And what a moving and powerful performance it was
Paul Weller has been praised, and rightly so, for continually reinventing himself as time and tide moves on. It would be downright silly to be singing about Eton Rifles or a Bomb in Wardour Street at his time of life........I can’t argue with any of that.
Plaudits are due to the RSC for performing and touring Julius Caesar, challenging in its structure and content, but while this was a bold attempt to enliven a problematic play, ultimately the embellishments employed buried the narrative under the weight of stage trickery.
It’s all too easy to sneer at old fashioned entertainment, and old- fashioned entertainers for that matter, but there seemed a lovely bond between everyone on stage. They are all such consummate pros I suppose that could be confected, but I don’t think so.
The Bohman Brothers and Richard Crow used a table top of home-built instruments, tape cut-ups, spoken word, and all manner of ephemera to create a collage of sound. With these raw materials they produced an intriguing mash up of spoken word, found sound and general bonkersness.
Its asking a lot to expect Laurel and Hardy to entertain a modern audience in quite the same way as they did a h
...the concert commences, immediately filling tha vast hall space with the spine-tinglingly soulful vocals that have come to define Giddens' live performances.
Munnery is a performer that divides people. You either haven't heard of him, or you consider him a legend. Not a legend in the sense of greatness, but a literal legend - a near mythical character that reinvented comedy. Sandwiched somewhere in between Ted Chippington and Andy Kaufman, he redefined what being a comedian could mean back in the day.
It's an astonishing sixty years since vocalist Colin Blunstone and keyboardist Rod Argent first set up shop, and on the evidence of their performance at Epic they are still fighting fit. Rod Argent's keyboard skills were as nimble as ever, while Blunstone's fine voice was impeccable all night. For men in their late seventies, the combination was little short of astonishing.
Devoting a great chunk of your set, especially for a band that has such a powerful back catalogue, to so many songs off of the new album, as yet unreleased, might be thought brave to the point of foolhardiness, but hats off to them for having the confidence and commitment do to so.
His Lordship commanding the stage from the outset and didn't let go, barely stopping for breath in between songs. Their set was over and done with in less than an hour, but was packed so full that I don’t think anyone felt short changed. They may have felt like a lie down and a rest, perhaps, not short changed.
Another great night at Epic – once again the sound and lights were spot on, and the staff are always so friendly. Let's hope that Rick Lennox and the team can continue to attract further contemporary and trending music acts like these.
....'Sleeping Beauty remains an iconic work, a gothic romance brought to life with all the charisma, charm and wit that we have come to expect from Sir Matthew Bourne
Derren Brown, as he so often does, wrapped things up in a broader theme, this time daring to reveal more of himself that we're used to. His humanity has rarely been in doubt, but here we saw some of his fragility when faced with personal trauma, adding emotional heft to his accomplished stage craft
Even as an ageing single male, Flat & The Curves provided me with to be one of my funniest Saturday nights ever. Out of those that I can still remember, of course.
Clive Mantle's villainous Curtis lit up the stage, injecting much needed energy into the night with a performance that was both menacing and funny. He got all the best lines too, as if Shaun McKenna had finally got his teeth into a character of substance.
This is the best Vagaband album yet, and marks the band's progression into brave new territory, but whilst remaining true to their roots.
And thank you, Varna International Ballet, for your first visit to our city. It was an absolute delight to have the opportunity watch you perform. Please, please, please, come back soon.
A two year delay but well worth it ........
Strings, bassoon, harp, double bass, flute and saxophones all contribute to this effusive concoction of folk fable, premonitory dreams and messages from nature. An early contender for my Album of the Year?
A daring and innovative show which is resplendent in its writing, engagingly delivered, and absolutely perfect for the run up to Christmas
This was nothing less than a magical, spell binding experience. The company not only offered up the thrill of being told a ghost story by Dickens, but also provided a genuinely entertaining experience for a contemporary audience.
The chance to hear the swirling, sonic extravagances of two of the finest practitioners of spaced out, trance infused rhythms on the same night felt almost greedy, like breaking into a second box of chocolates when the first had already given you a sugar rush.
John Heminges and Henry Condell took it upon themselves to collect and thereby preserve Shakespeare’s work after his death. Lauren Gunderson’s fascinating play takes the bare bones of what we know about their endeavour and builds a compelling narrative, imagining how they might have gone about it, and why.
In sharp contrast to Otway's puppy like enthusiasm, Wild Willy Barrett mordant disinterest in Otway's buffoonery fails to disguise an obvious mutual affection. No one would seriously argue that Otway has been gifted with the finest singing voice, but he is a proper songwriter when he wants to be.
There was much to enjoy in Rachel Wagstaff’s adaptation of Agatha Christie’s classic novel. Susie Blake was excellent as Miss Marple, the plot was pleasingly convoluted yet neatly resolved, and there were some genuine laughs along the way. What a shame it had to be viewed through the prism of Philip Frank's pedestrian direction.
This was one of only five outings for this world class collaboration, and I’m still scratching my head how we got on the short list. Whatever the reason, hats off to whoever at the Theatre Royal bagged with one.
Andy Powell tipped us off from the outset that we were in for the long haul, and so it proved with a mammoth two hour set that included their seminal album Argus played in full. He must have had the mathematicians in the audience scratching their heads at the youthful vigour of a man already grown up when it was released fifty years ago.
A closely choreographed assault on the senses, as a combination of story-telling, mime and vegetable annihilation had her audience reeling with laughter and discomfort in equal measure - this ferociously talented performer confronted and questioned tired stereotypes and lazy preconceptions at every turn.
I can’t say this was the best gig I’ve ever been too, but I can say I’m struggling to think of a better one. A perfect marriage of stagecraft and musicianship, it’s certainly the finest thing I’ve seen in Norwich for a very, very long time.
‘Soul of Albion’ is an album unafraid to reflect on the state of the nation, and yet still manages to convey the band’s love of a good time and a drink
.....just read the review
A great album from start to finish – every song on it could justifiably argue a case for inclusion on a GGD 'Best Of'' compilation
If you have never seen The Nimmo Twins, then you better be bloody quick. Their run of shows at Norwich Theatre Playhouse sold out yonks ago. If you are quick, you might be lucky as they are doing a one-night-only show at Norwich Theatre Royal on August 23rd. If not, just “keep on troshin”.
Neither current nor heritage, We Are Scientists remain part of a noughties phenomenon of acts that burned bright with their debut album but never quite matched it, producing literate songs heavily disguised with pop camouflage, just in case anyone noticed how clever they were.
Latitude is set in a beautiful park tastefully enhanced with all manner of frills (and purple sheep). There is music, and lots of it, with main stages of mainstream acts complemented by the quirky and intriguing if you dig deep enough, while the manageable layout tempts you to poke about more than your aching feet appreciate. In short, despite the sometimes suffocating branding and sponsorship liveries, it’s a nice place to be.
Life is a learning experience and if like me you had not heard of Nellie Bly then all I can say is ... it is an engrossing show that left me highly impressed, as well as suitably enlightened. Find out More PLEASE
not only are the key cast magnificent, but the entire ensemble of dancers, singers and musicians deliver a truly scintillating performance
Loved it, loved it, loved it, darlings. xxx
This theatrical reinvention of 'LOL' certainly had me 'Laughing Out Loud' from start to finish"
"Crude Apache have created a show that, by delving into local history, makes us also think about workers’ rights today. Bravo!"
Destined to be one of the standout albums of 2022, make sure you catch Beabadoobee at Reading and Leeds Festival this summer, or at the Nick Rayns LCR here in Norwich on October 8th. This is going to be the year of Beatopia.
“We are spared the graphic horrors, but the message hits its target with dramatic precision”
Common Lot for, once again, coming up with a community-based show that is entertaining, educational, topical, and inspiring. It does them, and Norwich, proud. Go see it.
Fantastic costumes, fantastic choreography, fantastic performances, and fantastic songs. What more is there to say? This production of Dreamgirls is simply supreme, supreme, supreme!!! (There, I said it. Sue me if you dare!)
I would not have missed this evening's show for anything. However, twenty four hours on, I cannot help musing on how this was something of an opportunity missed
Levitation Orchestra's sound is a potent cocktail of uninhibited energy and elegant exploration, bound together by an egality of interwoven
Shibe was an absolute gentleman, talking us through each piece, and playing to the wonderfully attentive audience with virtuosic confidence and class.
..the sparkle in her eye tonight, and the obvious love shared between mother and son, turned this Spiegeltent show into a wholly unforgettable experience.
These three musical artists delivered a venerable tribute to Jenny Lind that was sensitive, informative and beautifully presented
The Exaudi Vocal Ensemble took to an otherwise bare stage to perform a selection of Carlo Gesualdo Madrigals that were dripping with melancholy and emotion. Using only the considerable power of their voices, this unamplified concert was the music the acoustics of St Andrews Hall were built for.
...the audience tonight were treated to something rather special, listening to a fresh generation of musicians discover and revive the songwriting treasures of the past
Last Saturday, it felt like the gauntlet had been thrown down, as a string of shows offered up a truly varied festival experience for those with a strong constitution and keen knowledge of the city’s layout. It just went to show that a festival that has sometimes felt constricted by practical and financial considerations, can, on the day, deliver.
Petrie's fierce musical stand for the things that she feels passionate about has triumphantly fired the bellies of another festival audience.
"With James Conway's direction and Gerry Cornelius' conducting, 'The Golden Cockerel' is most definitely in safe hands"
Slowly, very slowly, the sense of something musical emerged, as if the performers were teasingly grappling for out of reach harmony. Only then did Cooper join the party, with delicate, gossamer light touches on the piano. Subsequently, he would play music of sublime beauty, as Daniel Pioro prowled around the performance area, accompanying and complementing faultlessly.
Les Patterson was an ungracious slob, and while Edna softened in her dotage, it’s worth remembering how she longed to turn Norm’s life support off. Both revealed a cruel streak that ran through Humphries work, perhaps born of the days when he was the bully, not the bullied
"There is no one to match her, both with regard to her technical ability and her brilliant improvisational skills. Ironically, she is such a good ventriloquist it's all too easy to forget that everything funny happening on stage is coming out of her head and her tight lipped mouth."
I think Elmer would argue that the evening was presented as Williams would have constructed it, and as such was guarded where the man himself would have been guarded.
The album closes with a piano and the sound of rain in 'Saint Michael'. Retrospective and atmospheric rather than apostolic in its tone,
This was a great show, well written, well acting, and one which explored challenging themes. How to top that? The answer was in a tiny epilogue, which those hasty to catch the last bus home might have easily missed. To say more would be spoil a lovely surprise, but I will say it left a big, fat silly smile on my face.
From start to finish this is an absolute peach of an album, a juicy slice of post-punk, pop perfection.
What I got was a seamless set list of quite brilliant, and quite brilliantly performed, tunes.
For a crypt-kicking delight of an evening, The Addams Family are your perfect ghoulish hosts.
If you are not already familiar with the work of Susanna Wallumrød (or, come to that, Charles Baudelaire) I would implore you to give 'Elevation' a listen. It is most certainly an album that is all that I cannot leave behind.
Yes, it is comedy. Yes, it is fun, and yes it is raucous and at times saucy. McDermott's smartly integrated East Anglian references and dialectical nuance will delight local audiences. But, ultimately it is a much bigger picture, and there is so much more for us all to think about and take away from 'The Birds and The Bees'
Alluvium's sense of fluidity and pace continues in the cinematic harpsichord-led title track, whilst 'Earth' creates a distinctly retro revisitation of Colin Blunstone on a 1970's Alan Parsons concept album
....nothing could have prepared me for the spectacle and passion of this version of the Leeds Playhouse production, currently playing at Norwich Theatre Royal.
As a classic drama about love, lust and conflict, 'Private Lives' still takes some beating.
For the most part, this was an imaginative, energising and wonderfully original approach to a literary classic.
it is almost as though the listener has been taken on their own enlightening journey of discovery as well.
I remember when, soon after taking being appointed as CEO of Norwich Theatre, Stephen Crocker made a pledge to continue to bring more world class contemporary dance to Norwich. He has delivered on that promise ........
This is a stripped-back work that is overwhelmingly enhanced by the beauty and fragility of Leschper's vocals, creating a naturalistic and folkier feel to previous works, and producing an authentic sense of natural impermeance.
The use of puppetry to represent Victor’s creation was an absolute masterstroke, and on many different levels.
'Owl Cage' is an album that should now be heard way beyond the rugged peaks of the Cumbrian countryside
Are they destined to become the next big thing? Who knows? But, for now, I am happy to listen, and wait, and see what happens next.
'The Garden' is a collection that has been laid out with love and affection. It emerges as a truly original and fascinating retrospective of this talented artist. Thoroughly recommended.
Make sure that you don't miss out on what will almost certainly the best feel-good night out (or matinee) on offer in Norwich over the festive season.
Robin Good is directed with lashings of local references and a bundle of in-jokes that will delight Norwich audiences – poking fun at our parochiality, our poor public transport links, and our patchy mobile phone reception.
Norwich seemed to shift on its axis just a little for the weekend, offering up one giant playground that not only changed the city but celebrated it. Meticulously curated, Wild Paths presented an astonishing (both in number and quality) array of acts
A collection of songs recorded during the Unthanks tour last year, when they returned to their roots, singing unaccompanied and in harmony. More a miscellany of tunes than a curated collection, this is nonetheless what traditional folk music is all about - reflecting on hard times with both stoicism and good humour. It's a timely reminder of happier times, when folk congregated in big rooms and listened to other people singing.
Dripping with melancholy, this is an astonishingly assured and mature work. In an age when we select rather than browse and skim rather than immerse, it’s such a pleasure to fall across an album of such substance.
"Sometimes I have to check myself and think whether John would really say something. I worry that John might be a Daily Mail reader who supports Brexit – I don’t think he is, but sometimes it’s tricky to come down one side or the other..."
The music itself was full of stark, thunderous menace, counterpointed with moments of surprising delicacy. On occasion I was gobsmacked by the band’s symphonic ambitions; at other times I felt I was listening to little more than a cacophonous row.
The evening inevitably finished on a rousing encore of Easy Livin’ (proving not that every song had to be tricky to be good) and the band grinning from ear to ear as they played. It only served to consolidate the abiding impression throughout, of the strong bond between the men on stage, delighted that they still got to do this for a living.
After the sunshine and warmth of the previous night's 'L'elisir d'amore' the Glyndebourne Tour could not have provided more by way of contrast.
Glyndebourne Tour in Norwich last night gave me the opportunity to immerse myself for two and a half hours in Italian operatic sunshine, whilst the rest of Norwich shivered in the dark and the cold outside.
Northern Ballet are always eagerly awaited visitors to the Theatre Royal, both for their full productions and for their wonderful child-friendly shows (they return in April 2020 with a special version of Little Red Riding Hood). We now have October 2020 to look forward to, and their return with an exciting new production – Merlin
Guitar music is by no means dead. It has just been resting.
It also says much for this production that a cocktail of an unmarried teenage pregnancy, gay friendships, mixed race relationships, alcoholism and unremitting poverty, could be presented with such defiant stoicism and good humour.
After taking their bows together, she and Clare Uchima leave the stage, and an audience that has just given them the biggest, most rapturous, ovation that I can ever remember hearing at the LCR.
..it was with some trepidation that I went along to see him play with his Bastard Sons, and I desperately wanted to like what I found. What a pleasure it is, therefore, to report what a great band they are....
Why did so many of the Sgt Pepper generation turn their backs on revolution?
The fluidity of the movement, together with the dancers' phenomenal strength and control, is breathtaking, and lead dancer Zeleydi Crespo has a powerful presence which has the entire audience spellbound
The band was uniformly excellent....
Pizza Shop Heroes is a significant and worthwhile attempt to explore the harsh realities of seeking asylum in the UK. It is episodic and uneven, but has a huge heart.
Reach The Moon, managed to achieve what many others have tried and failed to do – to recreate the excitement and overwhelming sense of achievement that emerged from that historic moment on July 20th, 1969
They may have been around for almost two decades, and may not have visited Norwich for a while but, judging by tonight's show, Hot Chip have certainly not gone off the boil.
Was Wild Paths 2019 a success? Well, you had better believe it. With its incredibly ambitious goals for a first year, booking a ridiculously rich array of artists and venues, but by galvanising a fantastic team of organisers and volunteers, somehow Ben Street had pulled it off – four days and nights of remarkable shows that reinforced Norwich's position on the musical map, and gave the city's music fans plenty to talk about for months to come. Thank you, Ben.
The gentlemen of Hawklords have long since been able to stand on their own feet, a comfortable distance from their Hawkwind association as they prolifically pump out freshly minted material that continues to impress
Thought-provoking, at times perhaps a little clichéd, but entirely relevant and altogether rather beautiful.
Acid Mother Temple are a quite extraordinary genre-defying ensemble of talented Japanese musicians that from the outset delivered a wall of thunderous sound that was energising, uplifting and just a bit bonkers
This was a precious evening of magnificent songwriting, professionalism and performance, all served up by one of Sheffield's finest.
Rambert's visits to Norwich are always eagerly anticipated, and this programme of three very different yet thematically interconnected pieces, demonstrates Benoit Swan Pouffer's commitment to maintaining the company's proud reputation for taking risks....
if you are looking for a friendly and extremely well-organised weekend that offers an eclectic mix of music that makes you want to dance, makes you want to cry, and sometimes just makes you go want to go 'wow!', then Deepdale is it
Visit most of the various musical venues in Norwich, and I’ll warrant you will do so with a preconception of the kind of act you’re going to see. The exception is surely Epic Studios, frequently playing host to the eccentric and undefinable that doesn’t easily fit in anywhere else
an evening of knockabout fun with a charming host that was warm and inclusive, but how frustrating that, with a just a little more work and attention to detail, we could have had so much more.
This surely confirms them as one of the most innovative and original acts to emerge in 2019
Exciting solo performances from each player demonstrate Nérija's collaborative ethic, and the breadth of individual talent within this scintillating project.
A brilliantly brave debut.
It is a journey that, over the course of two hours, and more than six centuries, tells the tale of two cities....As a result, I am more in love with this city than ever before. Anglia Square included.
Armstrong’s ensemble cast looked to be having enormous fun chattering their way through acres of exposition in clipped, received pronunciation, delivering their lines with exactly the right degree of knowing humour, without ever quite lapsing into parody
This was indeed an evening of wide-ranging musical delights, when the sun really did come out and shine
During the course of the evening we get a chance to hear each and every one of the album's ten track
… the evening was always going to end too soon
This production left me wondering at my appraisal of the earlier work.
Back in the early 80's Altered Images were one of the biggest pop acts around, with three top 30 albums and six UK top 40 singles between 1981 and 1983. We talked to lead singer and songwriter Clare Grogan, and asked her about the band's initial success, and their continuing popularity more than 35 years after Happy Birthday was first released.
The end came too soon, in an evening that had flown by
Bells and Spells is an episodic, hallucinogenic journey through increasingly loopy vignettes drawn from Chaplin’s weird and wonderful imagination.
Stunning soloists, extraordinary harmonies, and flawless execution were evident throughout a performance
What proved consistent throughout the evening was Gillam’s infectious enthusiasm and commitment to her instrument and the eclectic pieces she had chosen to play, something that shone through her brief chats with the audience
Hannigan's typically sparse and ethereal folk compositions into a sonic panorama that is nothing short of alchemic.
Tracks like Ghosts and Lovers ably demonstrate what a beautiful album Ellipsism has turned out to be
Jesse Mac Cormack's album debut arrives as a work of scorching atmosphere, panoramic tumbling melodies and vast lyrical spaces
The resultant 60 minute show is a kaleidoscopic and psychedelic delight from start to end.
Whichever route (musical choices, age, or whatever) brought us here, we were all to experience to one of the most moving and stirring musical evenings that I have attended at the UEA.
The Slow Readers Club may have cornered the Indie electro doom pop market, such as it is, but they’ve been clearly influenced by some of the finest acts of the last century, mixing up a cocktail of sounds in a way that is both discriminating and imaginative.
Roseate, is undoubtedly the strongest track of the entire album, a powerful mission statement that begins with harp and ethereal vocals and builds to a surging conclusion, complete with pounding drum machine, synth and strings.
It proved to be as stunning and breath taking as ever, confounding the prejudices of anyone (not least me) who thinks ballet simply isn’t for them.
this music contains brilliantly crafted slices of wit and irony set out to debunk male toxicity, xenophobia and anti-matriarchy
Stoppard’s text constantly reminds us that this is a play about a play, poking fun at theatrical convention, making a virtue of its shortcomings, and openly taking the mickey out of anyone investing too much energy into proselytising art
A stunning set of imaginative rearrangements, which combined with a healthy sprinkling of their own composition, stretched for over two hours.
...from the outset, a jolly thrill ride that takes full advantage of the possibilities of live theatre, presenting a classic haunted house story with a combination of impressive stage trickery and winning performances
All in all, another noteworthy collection
When You're Ready emerges as one of the most impressive and accessible of debut albums
Norwich's Nic Norton returns with another engaging and original collection
The chemistry between Elizabeth Boag’s convincingly drunk Sally and Alan Gillett’s character lifted the production just when it needed it
I know reviews are not supposed to be lists, but when the first five songs are Wall Street Shuffle, Art for Art’s Sake, Life is a Minestrone, Good Morning Judge and The Dean I, it warrants a special mention
Miles Jupp’s achievement, in bringing to life an actor known for only a handful of roles, and doing so in a way that was utterly engrossing and a complete delight, was surely all the more remarkable given the relative obscurity of his subject
its relentless pace grips and holds right until the very final spin.
tale of two lovers on the precipice of break-up
Tonight, Huey Morgan is definitely 'the man', and Fun Lovin' Criminals do what they do best – leave their audience hungry for more
His opening salvo is a warning that if I don’t laugh at the disabled guy I will go to hell
Top marks to the Norwich Playhouse for hosting this debut visit from Rambert 2. The scale of the venue, and the fantastic sound, made this a perfect evening
Erica Whyman had decided on a contemporary transfer for this 400 year old tale of family feuding, love at first sight, and crossed star destiny, but it is a darker, starker version of the classic.....
What is so inspiring about Valtýsdottir is her ability to take other peoples music as merely the starting point for what she creates
A musical interpretation of Hieronymus Bosch's fifteenth century triptych panels sounds like the kind of recorded oddity that emerges from a crate digging session at the local vinyl fair, rather than a contemporary electronic folk-jazz release.
Drastic Measures emerges from the new wave of composer-musician-producers...
'True musicians do not have a choice', he muses, 'we just have to keep on writing and performing. It is what we do'. Well evidenced at this gig
An imaginative sixty minute show created around Dickens' iconic 1843 work,
Even before the house lights dimmed the crowd had started up a chant of 'Miles, Miles - Miles Fucking Kane'
Their voices fit together perfectly and are also comfortable taking lead, usually on their own compositions. But when you listen to the lyrics of each song you realise that the inspiration often comes from a very specific source.....
Whether you are a fan of Jessie or not remains a matter of individual taste, but from what I saw and heard tonight the new material deserves a serious listen – her voice is strong and confident, and the songs are a million miles away from the frothy pop of 2011
When a band that originally formed in 1966 changes its name four times......Yet I really should not be worried
The band are currently on a celebratory tour of the UK, and Sunday night at the Theatre Royal was their first visit to Norwich since playing here in 2013.
Curved Air at The Waterfront
Pancrazi is wonderful as Prince Charming, and her parallel appearance as a maid and confidante to Cinderella in Pandolfe's household suggests a dimension of gender fluidity, adding yet another layer of duality, metamorphosis and contrast to the production
I never got to see The Smiths perform live, and Johnny Marr had packed up his guitar and left The Cribs by the time they played Latitude in 2011, so this gig at the Nick Rayns LCR was to be my first up-close encounter with the legendary guitarist
Norwich with yet another – Wanderlust - which he showcased at the Norwich Arts Centre on the opening night of his latest tour.
It started the previous night, when someone suggested that I really ought to check out The Velveteers at Bermuda Bob's Rum Shack. 'They're a bit like The White Stripes', they explained, before adding cryptically, 'But then, they're not'. I'm intrigued, but could actually do with that night in. I file the suggestion under 'poss, but probs not'.
I am unsure how the name of Eivør Pálsdóttirremained underneath my radar for quite so long
An Outline of Late Nights / Early Mornings
Four young local acts impress.
Good luck to you all.
9/10
Delightful.
6/10
Every one of these bands I could go and enjoy live again
9/10
An enthralling and illuminating spectacle.
One Slambovian hell of an evening
7/10
7/10
A calculated crescendo
One of the country's finest young folk singers.
5/10
A big star in the making.
The audience is totally enraptured with each song
An evening of absolute professionalism.
8/10
The vocal harmonies are gorgeous
A musical Venn diagram,
8/10
The weekend has most certainly landed.
9/10
5/10
An underground vibe in ancient vaults.
I am definitely on board.
An engaging and informative evening
7/10
9/10
A quasi-religious experience
8/10
A perfectly-pitched production
Get to know your local music scene
8/10
8/10
Big up support Misty Miller.
We are, once again, helplessly won over.
9/10
8/10
Get a bit of sausage when you can
We all by now know that there is neither an Eliza nor a Bear in Eliza And The Bear.
This is never going to quite float my boat
A triumph.
8/10
Gaz Coombes is no stranger to Norfolk
I really love this band to bits
3/10
Not bad at all, Eska
Contemporary folk in all its domestic glory
8/10
7/10
9/10
6/10
The performance is definitely on a grand scale, with so many individual talents on display
You see? Norwich does know how to have a good time.
A thoroughly entertaining, impressive and thought-provoking evening
A truly inspirational idea from NS&V and the library management
5/10
8/10
9/10
BK & Dad, Midnight Zoo & Claws play live
A warm and superbly talented performance
Let me laugh with you, Sean, not at you or at others.
Forty years later, again they leave us wanting more.
7/10
Compelling to watch, and to hear.
5/10
9/10
7/10
A banging good family musical with a great cast and unforgettable songs
7/10
6/10
"An arena performance but with the intimacy of a private audience"
5/10
The Boy Gedge's two bands play Norwich
6/10
The second half appears to kick off with a new-found synergy
Tonight Gigspanner spun the world thrice over.
8/10
A tour-de force
As sure as night follows day we need bands like The Sundowners.
A veritable smorgasbord of reflection and projection
Saint Julian takes to the Waterfront
A beautiful and sensitive album that is a lot more uplifting than you might first expect
Banging job.
An ambitious album of pretty average songs.
Addison's Uncle play on Norwich Market
This is the Kit delight NAC once again
This is indie-folk for the Waitrose generation.
Totally engaging, beautiful and thought-provoking.
Pick yourselves up, Champs, and try again.
A triumph for Peace
Like eating jam roly-poly without the custard.
A crowning glory.
Gorgeous, masterful, confessional, and uplifting.
Spotlights carve across the stage like a lighthouse on a misty night.
A truly complex talent whose fame is already set to spread beyond our Norfolk borders.