Music > Album Reviews

Wiley - Godfather

16/01/17

On the night of Godfather’s release Wiley told Radio 1’s DJ Target that this was the album he’d always wanted to make. This sense of completion and accomplishment means the album packs a serious punch, it feels like a culmination of grime’s long road from relative obscurity to a new generation’s leading cultural influence. The album is filled with a pride and a self-confidence that feels like it’s more substantiated than the usual bravado required of a top MC.

The album is huge at a massive 17 tracks, linked in the most part by grime’s trademark basslines and menacing, frantic samples, but there’s diversity too. Wiley’s superiority and stature takes centre stage on Name Brand, Speakerbox and My Direction. Joe Bloggs celebrates the longevity of Wiley’s career, reviewing the road to success over car-screech synths and ominous violins . U Were Always, Pt.2 continues the tradition of Grime delving into the realm of love songs and does so with ease. The track has a melancholy tone, complete with echoing percussion and a neon melody, featuring the softer side of man of the hour Skepta’s lyrics.

Speaking of features, the list of contributing artists on Godfather makes for impressive reading. Chip, Ice Kid and Little D feature on the furious On This, whilst Ghetts’ distinctive style lends an intense ferocity to my favourite track Bang. Devlin, Lethal Bizzle, JME, President T and Frisco all also make appearances.

Of course though, Wiley can take all the credit. Firstly for leading the way in the genre, as well as supporting new talent throughout his career. Secondly, for kick-starting the year with such a first-class new album, one that ties together the accomplishments of the genre to date, as well as setting the bar for the future.

8/10